Image-to-video input
The image-to-video workflow treats the image as frame one, not as a loose mood reference. The image should already define subject, composition, geometry, lighting, and any text that must survive motion.
Compare one image-led Veo 3.1 result with two text-led results, then plan a 4-, 6-, or 8-second shot around the resolution and audio options available for that duration.
The three displayed Veo 3.1 results cover both starting paths: one image-to-video motion test anchored by a first frame, plus two text-to-video scenes built from written direction.
The three examples separate scene, motion, camera, continuity, sound, and exclusions. This makes it easier to check whether the event happened, geometry held, and native audio followed the action instead of hiding an overloaded request inside cinematic adjectives. Use plain, observable instructions. Avoid stacking several transformations, camera moves, lighting changes, and audio events into the same four seconds unless each one is essential.
Material Soundscape begins with an authorized frame containing the board, objects, leader lines, and labels. The prompt asks for slow parallax and protects DOCK, CUP, TRAY, and BASE. Let the source frame own design and the prompt own motion. Review protected labels, edges, spacing, and material response, not only cinematic feeling.
Porcelain Wind Observatory combines an original circular room, suspended porcelain and glass, one ripple, and a slow forward push. Its audio list mirrors visible materials. One cause-and-effect chain keeps picture and sound legible. Inspect ripple direction, suspension, camera stability, and audible material timing.
Upward Water Arch moves from still basin to rising droplet, glass ribbon, and completed arch while the courtyard and reflections stay stable. Name the start, transition, end, and fixed environment. This example shows one coherent transformation, but every new subject and material combination can behave differently and needs its own visual check.
The decision is not whether image-to-video or text-to-video is universally better. It is whether your first frame already contains the visual truth you need to preserve, or whether the model should compose the scene from a written specification.
Use image to video when composition, product shape, typography, or art direction already exists. Ask for one layer of motion, then compare the result with the details that must not change.
Use text to video when the shot begins as a written scene and sound belongs in the first draft. Describe materials and audible events together, then check whether the picture and sound stay in sync.
Four seconds suits one product beat, environmental response, or controlled transformation. It is not enough to judge dialogue, long narrative continuity, or multi-scene editing.
Use the image-led result to see how a source frame carries into motion. Compare Porcelain Wind Observatory and Upward Water Arch to see two ways to structure a text-led scene. New prompts can behave differently, so check both picture and sound before using your own result.
The image-to-video workflow treats the image as frame one, not as a loose mood reference. The image should already define subject, composition, geometry, lighting, and any text that must survive motion.
The text-to-video workflow starts without an image. Describe the scene, one dominant event, camera behavior, continuity constraints, and a compact native-audio plan in visible order.
The displayed files keep the settings used to create them. In the current controls, 720p can be paired with 4, 6, or 8 seconds, while 1080p and 4K require 8 seconds. Choose the combination before writing a brief whose timing depends on clip length.
A 4-second 720p shot starts at 100 credits without audio, or 150 with audio. Choose 4, 6, or 8 seconds; 1080p and 4K require 8 seconds. The exact amount is shown before generation.
Use the three clips to compare image-led and text-led workflows, camera restraint, transformations, and native audio. New subjects, durations, resolutions, and prompts can still behave differently.
You can choose Veo 3.1 in either video workflow, write a prompt, and review the settings currently available for that choice. Drafting does not upload a file or spend credits.
Together the videos cover one image-to-video outcome and two text-to-video outcomes. They do not show portraits, dialogue, every duration and resolution combination, every aspect ratio, or every Veo mode.
Both workflows start at 100 credits for 4 seconds at 720p without audio. Higher resolution, longer duration, or audio changes the amount. Review the quote before generation.
When a result includes native audio, presence is not quality. Review timing, unwanted speech or music, clipping, repetition, material plausibility, and whether sound supports the visible event. Mute or reject an output that fails the intended use.
Choose image to video or text to video, select Veo 3.1, and write the visual event and audio cues around the duration and resolution shown in the workspace.
Choose image to video when you have a rights-cleared frame whose composition must survive. Choose text to video for an original written scene with no image input.
Write the visible sequence in order. Give the camera one move, protect geometry and identity, and remove changes that cannot be inspected in four seconds.
Name observable sources such as room tone, wind, water, glass, or porcelain. Forbid unwanted music and speech, then review sound separately from picture.
Review motion continuity, subject consistency, camera behavior, audio, text, and the final frame. If you publish a result, also confirm rights, consent, context, and visible AI disclosure.
Plans for image and video
Annual plans are billed upfront. The same plan credits refresh every 30 days and expire at the end of that window; unused subscription credits do not roll over.
Explore the workspace and prepare a first request before choosing a paid plan.
For occasional image and video experiments with a predictable monthly ceiling.
Subscriptions renew automatically at the selected monthly or yearly rate until canceled. Cancel future renewals in your account.
For creators who iterate every week and need room for several directions.
Subscriptions renew automatically at the selected monthly or yearly rate until canceled. Cancel future renewals in your account.
For sustained, high-volume creation and access to the highest available output quality.
Subscriptions renew automatically at the selected monthly or yearly rate until canceled. Cancel future renewals in your account.
Prices are in USD. Subscriptions renew automatically; credit packs are one-time purchases.
Compare plansCommon questions about Veo 3.1 inputs, example clips, audio, settings, starting credits, and current availability.
Not yet. You can open either Veo 3.1 workflow, edit the prompt and settings, and keep the draft in this browser without uploading anything or spending credits.
Image to video starts with one first frame; text to video starts with a written scene. Both offer landscape or portrait framing and an audio toggle. Choose 4, 6, or 8 seconds at 720p, or 8 seconds at 1080p or 4K. Image to video also offers automatic framing.
Yes. Each playable MP4 is a real Veo 3.1 output kept with the source and settings used to create it. They show one image-led and two text-led directions, but they do not guarantee the same result for a new prompt.
The current four-second, 720p setup with audio starts at 150 credits for either workflow. The final amount depends on the workflow and settings and will be shown before generation begins.
No. It means audio was requested and the clip includes an audio track. Review timing, unwanted speech or music, distortion, repetition, loudness, and whether the sound fits the material. Three examples do not guarantee reliable audio for every brief.
They show how one image-led shot and two text-led shots handled motion, transformation, environment, and native audio. Use them to choose a workflow and write a clearer brief, then review every new result independently.
Bring an existing first frame to image to video, or start in text to video when the scene and audio plan exist only as words. Select Veo 3.1 and review the available settings before continuing.