Turn one clear scene idea into a short video. Describe the subject, action, camera movement, and setting, then review your model, settings, and credit cost before generating.
01One shared generator now supports both frame-led and text-led shot planning.
02The final credit amount will be shown before generation starts; the workspace does not guess.
03After submitting a generation, follow its progress and return to it from your history.
Real text-to-video outcomes
See how distinct briefs become distinct shots.
Text to videoA Seedance 2.0 launch film moving from macro material detail to a low orbit and stable tide-cave packshot.Text to videoA four-second Veo 3.1 audio narrative: a warm current travels once through suspended porcelain and glass with restrained forward motion and synchronized room tone.Text to videoA three-second Kling 3.0 text-to-video study with low tracking, foreground parallax, one readable bank, and a stable final landing composition.
Text to videoA Seedance 2.0 launch film moving from macro material detail to a low orbit and stable tide-cave packshot.
Write for time
Describe what changes from the first beat to the last.
Give the shot one center of attention, one visible action, and one camera idea. Then describe the world cues and continuity facts that keep those decisions readable across time. The generator keeps the prompt and available settings together so you can revise the plan before generating.
Use multiple shots only when each shot has a job.
The trail-shoe launch is an advanced three-shot brief: a macro material slide introduces texture, a low orbit reveals the form, and a wide packshot completes the sequence. The three views work because they follow one product idea in a fixed order. For a first text-to-video attempt, one continuous action and one camera move are easier to direct than a miniature edit.
Repeat the product identity across every cut.
The brief repeats the same sea-green shape, coral-orange lace loops, materials, lace count, and sole geometry across the macro view, orbit, and final composition. When a sequence changes viewpoint, restate the details that make the subject recognizable. This gives the model a continuity target while the camera and scale change.
End with a frame that can carry the message.
The final wide packshot settles the shoe on wet basalt inside the tide cave after the closer views. It gives the sequence a clear destination rather than stopping during motion. Describe the closing composition when the result needs to cut cleanly into an ad, presentation, or storyboard. Leave enough time for the final subject and setting to read together.
Shot brief
“Create a five-second, exactly three-shot pure-CGI launch film for one original unbranded trail shoe: macro material slide, clean low orbit, then a stable wide hero packshot. Preserve the same shape, colors, materials, lace count, sole geometry, and scene continuity across all shots. Use premium product lighting and deliberate camera inertia. Do not add people, body parts, text, logos, labels, boxes, extra shoes, duplicate parts, brand marks, buildings, vehicles, whip pans, deformation, or flicker.”
Text to videoA four-second Veo 3.1 audio narrative: a warm current travels once through suspended porcelain and glass with restrained forward motion and synchronized room tone.
Choose by the shot
Match the model to the part of the shot that matters most.
A model name is useful only after the shot has a clear constraint. Decide how long the event needs, which frame shape belongs to the destination, whether sound must be explored now, and which visual detail would make the take unusable if it drifted. Then compare only the controls offered for that exact text-to-video setup.
Start with the required duration and frame
Choose a duration that can hold one beginning, one visible change, and one settled end. Check the actual duration, resolution, aspect ratio, and audio combination shown after selecting a model; a family maximum does not mean every maximum is available together. If the first test is about blocking or camera rhythm, use the least expensive setting that still makes those decisions readable.
Choose text only when the frame may be invented
Text to video is a good fit when subject appearance, setting, light, and composition are still open to interpretation. If an approved person, product, illustration, layout, or first frame must remain recognizable, move the brief to image to video and let that image own the composition. Do not add vague references merely to make the request feel more controlled.
Compare one risk at a time
Select a model around the hardest part of the shot: identity, object geometry, fast action, restrained camera motion, transformation, atmosphere, or synchronized sound. Keep the brief and review checklist stable when comparing models. Changing the subject, duration, framing, and camera plan at the same time hides which choice improved or weakened the result.
When text is the right start
Use text to explore a shot before a source frame exists.
Text-led generation is useful when the composition, people, setting, and motion can all be invented from words. When a specific face, product, layout, or approved artwork must remain recognizable, start with image to video and supply that visual directly.
Test a campaign direction
Explore staging, light, and camera energy before commissioning final assets. Treat the result as a visual study until you have checked faces, products, text, brands, and your right to use every recognizable element.
Previsualize a single shot
Turn a storyboard sentence into a timing study for blocking or camera movement. One coherent shot is more useful than compressing an entire edit into one request.
Discover an original world
Define a place through material, weather, scale, and one event without relying on a borrowed franchise or protected character as shorthand.
Review the whole clip
A polished first frame is not enough.
Watch the result at normal speed, then scrub it slowly from the opening frame to the end. Judge the visible event against the written brief before judging mood or polish. A clip should fail review when a required fact changes, even if several individual frames look attractive.
Follow subject identity through time
Check faces, clothing, hands, limbs, product parts, markings, object count, and scale across the complete shot. Look closely during turns, occlusion, contact, and fast movement, where identity and geometry often drift. Reject a take that silently swaps a detail central to the brief instead of excusing the change as motion blur or style.
Check motion, contact, and the endpoint
Confirm that the named action begins for a visible reason, travels through a readable path, and reaches the requested end state. Watch feet, wheels, tools, liquid, cloth, doors, and held objects for sliding, penetration, duplication, or impossible contact. The final frame should resolve the beat rather than freeze halfway through an unexplained change.
Separate camera motion from scene damage
A push, pan, track, tilt, orbit, or locked view should preserve horizon, perspective, room geometry, and subject scale unless the brief asks for a deliberate transformation. Rewatch the background and frame edges, where wobble and invented structures are easy to miss while attention stays on the subject. One smooth camera idea is usually easier to approve than several competing moves.
Inspect sound, text, rights, and context
When audio is present, listen for unwanted speech, music, clipping, repetition, or sound that does not match the visible action. Pause on signs, labels, interfaces, faces, and recognizable designs to check accuracy and permission. Label the clip as AI-generated wherever viewers could mistake a fictional scene or claim for something real.
Leave room for the edit
Check whether the opening and ending give an editor enough stable picture to cut cleanly. An attractive action can still be unusable if it begins before the viewer can recognize the subject or ends before the motion settles. Compare the intended preceding and following shots for direction, scale, light, and pacing. Keep transitions and final sound mixing in the editing stage.
Keep a useful comparison record
Save the brief and the selected settings alongside each shortlisted clip. Record one concrete reason for keeping or rejecting a take, such as a warped wheel, missing endpoint, stable face, or readable camera move. Compare alternatives at the same playback speed and display size. This makes the next revision a specific decision instead of another broad request for better quality.
Brief checklist
Before generating, make the shot clear and possible to judge.
A useful prompt does more than describe a mood. It states the visible action and ending, uses only people, characters, brands, and ideas you are allowed to use, and makes the important details easy to check in the finished clip.
01
Choose one visual anchor
Name a primary subject and place it in a legible setting. Too many equal subjects make attention, scale, and motion priority ambiguous.
02
Keep the timeline achievable
Plan one short event with a beginning and end. Multi-scene stories, rapid location changes, or several consecutive edits need a shot sequence, not one prompt.
03
Make camera intent compatible
A locked frame, push, track, pan, tilt, or small arc can clarify the shot. Avoid stacking contradictory lens and camera instructions in one short event.
04
Clear rights and safety first
Do not request deceptive impersonation, exploitative content, or protected characters and branding you cannot use. Before publishing, check the full clip, keep a record of the source materials, and label AI-generated scenes that viewers could mistake for real events or claims.
Plans for image and video
Pricing
Annual plans are billed upfront. The same plan credits refresh every 30 days and expire at the end of that window; unused subscription credits do not roll over.
Free
$0/ month
Explore the workspace and prepare a first request before choosing a paid plan.
These answers explain how text-to-video differs from image-to-video and how to read the prompt examples beside the real clips above.
01What is text to video?+
Text to video generates a moving scene from a written description rather than a supplied first frame. The model must decide both appearance and motion, so the brief should state a clear subject, event, camera behavior, environment, and continuity priorities.
02How is it different from image to video?+
Image to video begins with an explicit composition and asks how it changes. Text to video begins before that frame exists, which gives more visual freedom but less control over exact identity, geometry, typography, or brand details.
03Can I generate a video from this page now?+
No. You can write and save a text-only brief, choose a model, and review its settings. Online generation, credit use, and result delivery are not open yet.
04Does typing or signing in send my prompt to a model?+
No. Typing saves the brief in this browser only. Signing in does not start generation or payment, and the page remains unavailable for generation afterward.
05How many credits will text-to-video generation cost?+
Cost will depend on the selected model, duration, quality, and sound settings. When online generation opens, the final credit amount will be shown before you confirm.
06Are the prompt examples tied to generated videos?+
No. They are original writing examples, not copied prompts or generated clips. Only the playable videos on this page are finished examples. For any clip you publish, keep the prompt and settings, confirm you have the necessary rights, check the full result, and label it as AI-generated when needed.
Write one coherent shot
Direct one coherent shot from a clear brief.
Return to the shared composer to shape a text-only brief, or review Seedance 2.0 when you want model-specific examples and prompt help.
