Study one real Wan 3.0 result, then plan an image-led or text-led shot with the duration, resolution, and audio setting available for your chosen input.
Use text to video when the scene begins as a brief, or image to video when one start frame must anchor the shot.
A short window rewards a clear subject, one action, and a stable camera. State what moves, what stays fixed, and the readable end state. For image to video, treat the first frame as the visual anchor. For text to video, establish the scene before the action and avoid implied edits. Use this structure to make a short brief easier to evaluate. It is planning guidance, not a promise of repeatable output quality.
Use a composed source frame when the important test is selective motion rather than scene invention. Name the pieces allowed to react and the geometry that must stay legible. Assign motion to specific objects, then review labels, geometry, identity, and the final frame before using a result.
A short physical sequence works when the viewer can understand the trigger and response without a cut. Keep the object count low and give the camera a restrained move. Give each stage enough of the selected duration to become visible. A longer setting can leave room for the action to settle, but adding unrelated events makes the sequence harder to follow. Decide whether the viewer needs one continuous response or several separately edited shots.
For a product or material test, start from one hero state and ask for one change such as a fold, rotation, opening, or light response. Avoid implying multiple camera setups. Choose the end state before writing the transition. A closed object opening, a surface catching light, or a subject coming to rest each gives the clip a specific destination. Describe only the details needed for that change, then set a duration that lets the ending remain visible.
The settings shown here are short by design. Use them for motion tests, transition ingredients, or compact visual beats rather than complete narrative scenes. Choose image to video when a source frame already carries the essential identity and layout.
Use image to video when a finished frame already defines objects, labels, materials, and composition. Direct only the pieces that should move and preserve the rest as an explicit constraint. This is suited to object studies, editorial boards, product stills, and controlled graphic layouts.
Use text to video when the shot can be described from scratch as one trigger and one response. Simple rolling, opening, unfolding, pouring, or mechanical release can fit the short duration better than dialogue, travel, or multi-scene narrative.
A successful short result can become an insert, loop, transition, or input for later editing. Check the whole clip before using it; an audio track or a clean first pass does not make every new result ready to publish.
Choose a 2–30 second Wan 3.0 shot at 480p, 720p, or 1080p, with audio on or off when that control is available for the selected workflow. Use the displayed result to study how a compact material-motion brief keeps object roles and camera behavior readable.
Image to video accepts one start frame. Wan 3.0 uses adaptive framing while Movelume keeps the other settings fixed.
Text to video needs no image. Choose a duration, output resolution, frame shape, and audio setting for one focused shot.
Both workflows start at 25 credits for a 2-second 480p video. The exact amount depends on resolution and duration and is shown before generation.
Choose audio on or off in the active controls when the selected workflow exposes that option. Enabling audio requests a sound track; it does not give you a separate sound brief or guarantee useful synchronization.
The useful decision is whether a short Wan 3.0 workflow matches your source and one readable action. Available settings do not guarantee a usable result.
The displayed Wan 3.0 result shows one successful image-led direction. Use it to judge how much motion fits in a short clip and how well the subject holds together, while expecting other subjects, durations, resolutions, and text-led requests to behave differently.
When audio is available, choose on or off before generation. An enabled track can still contain mistimed, unwanted, or implausible sound, so review it independently from the picture.
Choose 2–30 seconds, 480p/720p/1080p, frame shape, and audio for one video. Image to video also offers adaptive framing. End frames, reference videos, and automatic duration are not available in this workspace.
Check the opening and final frames, subject identity, object count, camera path, unwanted text, audio timing, and your rights to every source. Shorten or simplify the next attempt when several failures share the same overloaded brief.
Choose Wan 3.0 in the workspace, prepare the prompt and optional start image, then review the fixed settings and exact credit quote before generation.
Start with image to video when a first frame already has the subject, composition, and look you want. Use text to video when the whole scene can be described in words. For image-led motion, choose the clearest source frame and explain what should move and what should stay recognizable.
Identify the initiating event, the visible response, and the end state that must fit inside the duration you select. Remove secondary actions, implied edits, and camera changes that compete with the central motion.
Review the prompt, input image when needed, duration, resolution, framing, audio, and exact credit quote before submission.
Inspect geometry, contact, motion continuity, text stability, camera behavior, audio, and the final frame. Use or publish only a result that fits the intended job.
Plans for image and video
Annual plans are billed upfront. The same plan credits refresh every 30 days and expire at the end of that window; unused subscription credits do not roll over.
Explore the workspace and prepare a first request before choosing a paid plan.
For occasional image and video experiments with a predictable monthly ceiling.
Subscriptions renew automatically at the selected monthly or yearly rate until canceled. Cancel future renewals in your account.
For creators who iterate every week and need room for several directions.
Subscriptions renew automatically at the selected monthly or yearly rate until canceled. Cancel future renewals in your account.
For sustained, high-volume creation and access to the highest available output quality.
Subscriptions renew automatically at the selected monthly or yearly rate until canceled. Cancel future renewals in your account.
Prices are in USD. Subscriptions renew automatically; credit packs are one-time purchases.
Compare plansAnswers about Wan 3.0 inputs, current settings, credits, audio, example results, and availability.
Not yet. You can choose Wan 3.0, prepare a text-led or image-led brief, and review the available settings without uploading a file or spending credits.
Image to video starts with one first frame; text to video needs no image. Both offer 2–30 seconds, 480p/720p/1080p, five frame shapes, and an audio toggle. Image to video also offers adaptive framing.
A 2-second 480p video starts at 25 credits in either workflow. Higher resolution or a longer clip uses more credits. The exact amount is shown before generation.
Wan 3.0 can generate a sound track when audio is enabled in a compatible workflow. Treat the setting as a request rather than a guarantee, and review synchronization, unwanted speech or music, distortion, and whether the sound supports the visible action.
Yes. The page shows one Wan 3.0 image-to-video result built from the labeled DOCK, CUP, TRAY, and BASE arrangement. Watch how the spatial relationships, materials, and camera motion develop, then decide which parts of that structure matter for your own shot.
Not necessarily. Results vary by prompt and subject. Review identity, geometry, motion, unwanted text, camera behavior, audio, and the final frame before use.
Start with one image or a text brief, then choose the duration, resolution, framing, and audio that fit your shot. Review the credit quote before continuing.
